Schlagwort-Archive: Arts

Ubuntu in Germany Column

Award-winning photographer Jodi Bieber exhibits her pictures in Germany

(Editor: Alex Smit-Stachowski is speaking in her column about life as a South African now living in Germany. The South African journalist lives in Krefeld, in North Rhine-Westphalia/ Germany. Ubuntu in Germany visited Jodi Bieber’s photo exhibition in Goch).

© Jodi Bieber at the Goch Museum (Source: Alexandra Smit-Stachowski)

© Jodi Bieber at the Goch Museum (Source: Alexandra Smit-Stachowski)

Multiple World Press Photo winner, Jodi Bieber is not the mom of famous Justin, despite several amusing incidents at airports. The bouncy, curly-haired 40-something who hails from Johannesburg, is exhibiting her work, “Between Darkness and Light” at the Goch Museum until May 26.

Many only discovered Jodi because of her iconic image of Aisha, the Afghan woman whose face was badly scarred after she was ‘punished’ by the Taliban for fleeing her abusive in-laws. The picture is unsettling because of the scarring but also of Aisha’s quiet resolution – a sign for other abused woman that they can survive, despite it all.

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Johannesburg-Bloggerin Laurice Taitz im Interview

Eine Frau über ihr Engagement für ein „schönes Johannesburg“

(Autor/ Editor: Ghassan Abid)

Deutsche Interview-Zusammenfassung:

Johannesburg ist eine Stadt, die mit vielen negativen Begleiterscheinungen einer Metropole in Verbindung gebracht wird – Kriminalität, Rassismus, Verkehrschaos, Armutsviertel und Arbeitslosigkeit. Laurice Taitz hingegen bloggt nur Positives aus und zu Jo´burg. Sie liebt ihren Wohnort, den man aus verschiedenen Perspektiven her betrachten müsse. Arme und Reiche leben hier beinahe nebeneinander. Viele Gesellschaften sind in einer Gesellschaft integriert. Die einstige Goldgräberstadt hat sich zu einer riesigen Heimat von Millionen von Menschen unterschiedlichster Herkunft, Religion, Sozialschicht und Nationalität entwickelt. Die Innenstadt mit dem Constitution Hill, dem Verfassungsgerichtshof Südafrikas, bewertet die Bloggerin als schönsten Ort Johannesburgs. Ebenso faszinieren sie die seit hundert Jahren bestehende Public Library, die öffentlichen Kunstinstallationen, das künstlerisch-hippe Viertel Maboneng, die Shopping-Straßen unweit der Diagonal Street und das äthiopische Viertel im Osten der Stadt. „Die Stadt ist voller Gegensätze und Plätze, die es zu entdecken gilt“, sagt Laurice. Und dennoch bevorzugen Europäer eher Kapstadt aufzusuchen. Sie selber war bereits zweimal in Deutschland und auch in Berlin. Die deutsche Hauptstadt beneidet sie für ihre schöne Architektur. „Es ist ein Ort, welcher viele Lektionen für Südafrika bereithält“, hält sie abschließend fest.

© Johannesburg is offering a reams of public arts (Picture Source: www.todoinjoburg.co.za)

© Johannesburg is offering a reams of public arts (Picture Source: http://www.todoinjoburg.co.za)

© Laurice Taitz, Blogger from Johannesburg

© Laurice Taitz, Blogger from Johannesburg

2010sdafrika-editorial staff: We would like to welcome on „SÜDAFRIKA – Land der Kontraste“ – the German Gateway to South Africa – the in Johannesburg based blogger Laurice Taitz.

You started your blog „nothing to do in joburg besides…“, in which you present a cultural view on this megacity. What is Johannesburg standing for?

Answer: Johannesburg is a city on the move. It was founded on a gold rush and it remains true to that, a city that in parts flashes its wealth and that also hides a rich seam of gold. It can be a difficult place to get to know but for me it’s a vibrant urban African metropolis.

2010sdafrika-editorial staff: Which is from your point of view the most beautiful place in Johannesburg and for which reason?

Answer: The inner city is the most beautiful place because every time I am there I see that the huge efforts to revive it are showing results. Some of my favourite sites include: Constitution Hill, where the values of one of the most progressive constitutions in the world are brought to life each day; Johannesburg’s newly-renovated Public Library, a 100-year-old architectural masterpiece; the city’s growing collection of public art; the up-and-coming hip urban district of Maboneng; the maze of shopping streets of old Johannesburg around Diagonal street; the Ethiopian district on the east side of the city; and Braamfontein’s lively streetlife.

Diagonal Street on Google Street View

The city is full of contrasts, and places to explore. And while you didn’t ask, the second most beautiful place is Johannesburg’s suburbs in spring when the jacaranda trees are in bloom and this tree-lined city is full of purple blossoms.

© The Public Library in Johannesburg (Picture Source: www.todoinjoburg.co.za)

© The Public Library in Johannesburg (Picture Source: http://www.todoinjoburg.co.za)

2010sdafrika-editorial staff: You demonstrate on your blog mostly lovely sights of Johannesburg. Why aren´t you writing on difficult topics like crime, poverty, xenophobia or corruption?

Answer: While I focus on what I love about the city and what it has to offer I never shy away from dealing with its less comfortable aspects, as these are part of the city’s challenges. As a former political reporter I am also acutely aware of giving readers the full story. I just don’t dwell on it because I see enormously positive changes taking place.

© Johannesburg is the home of different cultures (Picture Source: www.todoinjoburg.co.za)

© Johannesburg is the home of different cultures (Picture Source: http://www.todoinjoburg.co.za)

2010sdafrika-editorial staff: Today, South Africa has developed a huge blogging scene. How would you evaluate the importance of blogs for the public opinion making process in South Africa?

Answer: I think that particularly the Joburg blogs that have emerged are helping to shape a new perception of the city for locals and foreigners. So many voices, filled with pride, in exploring a city, discovering its secrets and creating a sense of belonging from diverse perspectives.

2010sdafrika-editorial staff: Johannesburg is a big cosmopolitan city with many cultures and nationalities. Do you think that in Joburg is one society or rather several societies living side by side?

Answer: It depends where you stand. You can choose a pocket of the city and never see what’s beyond that corner but I think Joburg is many societies in one. A place where rich and poor live side by side, not always easily, and where people from all over Africa and the world congregate. The mix is what makes this city exciting.

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2010sdafrika-editorial staff: The most Germans and Europeans are preferring to live in Cape Town as in Johannesburg. How far could you understand this decision and which pros is Joburg providing?

Answer: I think people from Europe are easily seduced by Cape Town’s incredible beauty and promise of a cosmopolitan lifestyle. Who isn’t? But saying that, Joburg has a perceptible pulse all year round, and that makes it an exciting place to be with its mix of people, cultures, commerce and arts.

2010sdafrika-editorial staff: Which perception do you have from Germany and Germans?

Answer: I have visited Germany twice and each time been struck by a country that has rebuilt itself into a modern and dynamic society and that continues to deal with its past but is looking to its future. It is a place that has many lessons for South Africa. I also fell in love with Berlin’s incredible architecture and hope to visit again soon.

© A spirit mix of religion and arts in Jo´burg (Picture Source: www.todoinjoburg.co.za)

© A spirit mix of religion and arts in Jo´burg (Picture Source: http://www.todoinjoburg.co.za)

2010sdafrika-editorial staff: Laurice Taitz, blogger from Jo´burg, thank you very much for this urban interview!

2010sdafrika-Interview mit dem Architekten Luyanda Mpahlwa zur Johannesburger Städtekultur:

https://2010sdafrika.wordpress.com/2010/05/16/johannesburg-im-architektur-boom/

Designer Craig Native in interview

The world doesn´t need more glamour brands if there are children living on the streets

(Autor/ Editor: Ghassan Abid)

Deutsche Interview-Zusammenfassung:

Craig Native ist ein Modedesigner mit internationalem Ruf. Dem in absoluter Armut aufgewachsenen Modefan ist es gelungen, sich kreativ zu entfalten  und zur südafrikanischen Identität beizusteuern. Anfänglich interessierte sich dieser als Kind für Gebäude, Autos und Menschen, die er in eigene Zeichnungen untergebracht hatte. Mit zunehmendem Alter entwickelte sich seine Vorliebe für die Mode, welche mittlerweile verbunden mit südafrikanischen Elementen einen besonderen und vor allem einmaligen Touch erhalten hat. Mit der Kollektion „Native Clothing“ verfolgt der Designer einen sportlich-afrikanischen Style, welcher in der Zielgruppe der 18 bis 38-jährigen Südafrikaner große Resonanz erfährt. Glamour und Eleganz, welche vom renommierten Johannesburger Modelabel „Black Coffee“ vordergründig verfolgt werden, lehnt Craig Native vehement ab. Er untermauert, dass Eleganz immer dann überflüssig ist, solange Kinder in ärmlichen Verhältnissen auf den Straßen leben müssen. Mit dem deutschen Modeunternehmen OTTO konnte Native bereits zusammenarbeiten, indem seine Klamotten auch in Deutschland erhältlich sind. Grundsätzlich verbindet er die deutsche Mode mit Individualität und Kreativität. Sein größter  Traum wäre es, wenn er mittels seiner Fashionkreationen zum Wohlstand auf dem afrikanischen Kontinent beitragen könnte.

© South African street style by fashion designer Craig Native

© Craig Native, one of the most popular fashion designers from South Africa

2010sdafrika-editorial staff: We would like to welcome on „SÜDAFRIKA – Land der Kontraste“, the German Gateway to South Africa, the fashion designer from Cape Town, Craig Native. Mr. Native, you are originally from Cape Flats, the poor side of Cape Town. How did you come up with fashion?

Answer: I drew or sketched pictures to keep me occupied at home. It was not fashion but buildings, cars and sports people. In my teen years when you got more fashion conscious clothing design became interesting, especially sportswear.

2010sdafrika-editorial staff: „Native Clothing“ is your fashion label, that was launched in 2000. Your collection is combining African elements, socio-political messages and sportive attributes. Who is your target group, what is „Native Clothing“ standing for and how many creations do you have realized this day?

Answer: Target group is 18- 38 years predominantly but it has not been a rule. I like making clothes for those who want to spend time thinking about their world around them being more conscious rather than not questioning choices one makes.

2010sdafrika-editorial staff: In the past, we have interviewed the designers from Johannesburg label „Black Coffee“, who are working very striktly on the basis of fashionableness. Do you think, that elegance could take a bigger emphasis in your style?

Answer: Growing up in poorer areas in Africa, makes me not worry about glamour and elegance. Fashion is not only about that. I would rather use fashion as a avenue to spread messages of social and environmental development of 3rs world countries. The world doesnt need another glamour brand if there are children starving and living on the street .

2010sdafrika-editorial staff: You are known for your interest in political matters. The African National Congress (ANC) celebrated his centenary on 8th January 2012. The ANC has been criticized many times by media. What do you think about the current developments in South Africa?

Answer: The world loves negative press it causes more sensation.  Any one who runs South Africa will have a difficult time because you cant wipe away 40 years of negative history is just over a decade. Every country will have their issues. It could be a lot worse in South Africa so I choose to look at what our government are getting right rather than what they getting wrong. The future generations I believe will help paint a different picture for South Africa.

© A model is wearing clothes designed by Craig Native

© A model is wearing clothes designed by Craig Native

2010sdafrika-editorial staff: „46664Fashion“ is a brand, which has been designed by you and your South African colleagues Chris Vogelpoel and Barbara Tosalli. 46664 was the prison number of Nelson Mandela.
What would you say to people, who are expressing their discomfort, that Nelson Mandela´s life could be commercialised by this brand?

Answer: 46664 has been endorsed by the Nelson Mandela Foundation. It would not exist without their approval. Its a legacy of that represents itself through cloth.

2010sdafrika-editorial staff: Which designers are your role models?

Answer: I dont really have favorites and many of them aren’t world famous. I admire creatives like artists, interior designers, african crafters.

Craig Native is participating in „Cotton Made in Africa“, an initiative to support African cotton workers. His fashion is based on African styles and identities. 

2010sdafrika-editorial staff: You are still working with German fashion retailer OTTO. What is your impression of Germany, German fashion and culture?

Answer: My impression that there is a lot of individual style. The street fashion is quite interesting. It´s certainly creative and experimental.

2010sdafrika-editorial staff: Mr. Native, which dreams would you like to realize in regard to your private and professional life?

Answer: If my clothing can contribute towards the development of the continent of Africa then I would be happy.

2010sdafrika-editorial staff: Craig Native, fashion designer, thank you very much for this interview!

Fotograf Jürgen Schadeberg im Interview

Die Interpretation von Fotos liegt im Auge des Betrachters

(Autor/ Editor: Ghassan Abid)

Deutsche Interview-Zusammenfassung:

Jürgen Schadeberg ist der deutsche Top-Fotograf bei südafrikanischen Motiven schlechthin. Der Berliner wird nicht ohne Grund als „The Father of South African Photography” bezeichnet. Schon 1950 emigrierte er nach Südafrika, um den Kampf gegen die Apartheid künstlerisch zu begleiten. Er hatte bereits beeindruckende Ikonen wie Nelson Mandela, Walter Sisulu oder Miriam Makeba vor seiner Linse.  Vor allem die Vereidigung Mandela´s zum ersten schwarzen Präsidenten in Südafrika verbindet Schadeberg mit seinem eindrucksvollsten Erlebnis am Kap. Das Land verfüge mittlerweile über eine starke Werbefotografie, allerdings ist das Dokumentationsspektrum dessen weiterhin schwach aufgestellt. Mit seinen Fotowerken, etwa mit der Township-Fotoserie „Soweto in colour“, schnappt er gerne jene Momente ein, die alltägliche Begebenheiten darstellen. Die Interpretation seiner Bilder, so Schadeberg, überlässt er dem jeweiligen Betrachter. Die gegenwärtige Rückwärtsentwicklung Südafrikas erwidert der Fotograf mit dem Willen, niemals aufgeben zu dürfen. „SÜDAFRIKA – Land der Kontraste“ dankt Jürgen Schadeberg für die Bereitstellung von Fotos, insbesondere aus der Kollektion „Tales from Jozi“.

Redaktioneller Hinweis: Es wird vorsorglich darauf hingewiesen, dass eine Verwendung des abgebildeten Bildmaterials ohne entsprechende Genehmigung der Rechteinhaber nicht gestattet ist!

© Jürgen Schadeberg is known as “The Father of South African Photography”

© Jürgen Schadeberg is known as “The Father of South African Photography”

2010sdafrika-editorial staff: We would like to welcome on „SÜDAFRIKA – Land der Kontraste“, the German Gateway to South Africa, Mr. Jürgen Schadeberg, photographer and film director from Berlin.

Answer: Mr. Schadeberg, you are known as a very famous photographer, who left Germany for South Africa in 1950. Which reasons had motivated you to emigrate?

I wanted to leave war-torn Germany and find some adventure in the new world.

2010sdafrika-editorial staff: You accompanied with your arts the struggle against Apartheid. Would you have ever imagined that apartheid will be someday over?

Answer: I believed that such an inhuman system as Apartheid could not have lasted.

2010sdafrika-editorial staff: You captured with your camera several South African personalities like Nelson Mandela, Walter Sisulu or Miriam Makeba. Which has been your most impressive moment in South Africa?

Answer: When Nelson Mandela was elected President and for a time the country was united.

© Mandela's return to his Cell on Robben Island 1994/ series: Mandela (Picture Source: www.jurgenschadeberg.com)

© Mandela's return to his Cell on Robben Island 1994/ series: Mandela (Picture Source: http://www.jurgenschadeberg.com)

2010sdafrika-editorial staff: Why did you used monochrome pictures in regard to Mandela & Co.?

Answer: During the fifties in SA there was very little work done in colour because the technology was not advanced enough.

2010sdafrika-editorial staff: In some media, you are called as “The Father of South African Photography”. Is South Africa having at all a photography industry?

Answer: Yes, there is a thriving primarily commercial photography world but documentary photography is developing well.

2010sdafrika-editorial staff: Your photo series „Soweto in colour“ is catching day-to-day situations of the township population. Which message would you communicate to the viewers?

Answer: The message is in the eye of the beholder.

© SOWETO TODAY/ series: Soweto in colour (Picture Source: www.jurgenschadeberg.com)

© SOWETO TODAY/ series: Soweto in colour (Picture Source: http://www.jurgenschadeberg.com)

2010sdafrika-editorial staff: South Africa is making, today, some setbacks in democracy. With corruption cases, the Secrecy Bill or hate speech by famous figures like Julius Malema, is the rainbow nation coming under pressure. Are you still following the developments in South Africa and if yes, what is your mind in this issue?

Answer: Yes, it’somewhat disappointing but one doesn’t give up hope.

2010sdafrika-editorial staff: Which further dreams would you like to realize?

Answer: To leave in peace and harmony and continue my work.

© Kids on staircase/ series: Tales from Jozi (Picture Source: www.jurgenschadeberg.com)

© Kids on staircase/ series: Tales from Jozi (Picture Source: http://www.jurgenschadeberg.com)

© Malako Club/ series: Tales from Jozi (Picture Source: www.jurgenschadeberg.com)

© Malako Club/ series: Tales from Jozi (Picture Source: http://www.jurgenschadeberg.com)

© Joyce Nzama & Baby/ series: Tales from Jozi (Picture Source: www.jurgenschadeberg.com)

© Joyce Nzama & Baby/ series: Tales from Jozi (Picture Source: http://www.jurgenschadeberg.com)

© Chalsea Hotel/ series: Tales from Jozi (Picture Source: www.jurgenschadeberg.com)

© Chalsea Hotel/ series: Tales from Jozi (Picture Source: http://www.jurgenschadeberg.com)

© Rose Boys/ series: Tales from Jozi (Picture Source: www.jurgenschadeberg.com)

© Rose Boys/ series: Tales from Jozi (Picture Source: http://www.jurgenschadeberg.com)

2010sdafrika-editorial staff: Jürgen Schadeberg, photographer and film director, thank you very much for this interview!

2010sdafrika-Interview mit der Fotografin Zanele Muholi:

https://2010sdafrika.wordpress.com/2010/05/31/exklusive-interview-with-zanele-muholi/

2010sdafrika-Interview mit dem Fotografen Louis Vorster:

https://2010sdafrika.wordpress.com/2011/11/16/multimedia-projects-by-louis-vorster/

2010sdafrika-Interview mit dem Fotografen Roger Ballen:

https://2010sdafrika.wordpress.com/2011/03/20/photos-with-reflection-on-the-psyche-roger-ballen-in-interview/

Multimedia projects by Louis Vorster

Interview about multimedia design, South African photography and arts

(Editor/ Autor: Ghassan Abid)

Deutsche Interview-Zusammenfassung:

© Louis Vorster, Südafrikas bekanntester Werbefotograf

Vodacom, Nike oder The South African Airways – die südafrikanischen und ausländischen Konzerne haben bei der Beauftragung von Werbekampagnen einen Ansprechpartner: Louis Vorster. Vorster zählt zu den bekanntesten und erfolgreichsten Fotografen Südafrikas. Einst unterrichtete er Studenten im Studiengang  Multimedia Design, nun liebt er es, den Menschen in Bilder einzufangen. Seine Inspiration erhält er aus Deutschland, von den Fotografen Wolfgang Tillmans und Jürgen Telle. Vorster hält fest, dass sich in Südafrika keine homogene Fotografieszene entwickelt hat, sondern vielmehr verschiedene Stile entstanden sind. Umso trauriger ist es, dass die gegenwärtige Regierung des Landes keine Förderung der Fotografen für wichtig erachtet, obwohl diese – nachgewiesen in den USA – als eigene Wirtschaftsbranche zum BIP beisteuern kann. Die kontrovers diskutierte künstlerische Arbeit seiner schwarz-lesbischen Kollegin Zanele Muholi, die die Intimität von Frauen abbildet, verteidigt er.

2010sdafrika-editorial staff: We welcome on „SÜDAFRIKA – Land der Kontraste“ – the German gateway to South Africa – the South African commercial portrait photographer Louis Vorster. You studied Industrial Design in Johannesburg and Cape Town. One day you switched to photography, for which reason and why photography?

Answer: In the late 90’s after I graduated in Industrial design I drifted into multimedia design and for 2 years taught multimedia design. At the university where I taught, our department shared a building with the photography department, I found myself spending more time at the photography department creating content for multimedia projects than designing the actual projects. After my two years teaching, I decided I wanted to be a professional photographer and assisted other photographers for a couple of years.

2010sdafrika-editorial staff: You are known for your expressive portraits. What does it mean for you from artistic viewpoint to photograph people?

Answer: I find it easier to express myself as a photographer when I photograph people as opposed to when I shoot landscapes or still lives, not only because people can be directed but because people move me more than other subjects, I like people.

2010sdafrika-editorial staff: South Africa is becoming more and more an global player in arts. However, the United States are the leading nation in photography. Is the South African government supporting their photographers by funding or connecting?

Answer: No, I think generally our goverment and individuals representing the goverment don’t understand the role or importance of photographers. Fine art, commercial  or press photographers. 

2010sdafrika-editorial staff: You still haven´t in Germany yet. What do you think about Germany as a country and about German arts. Which impressions do you have from this nation and Germans?

Answer: This is an interesting question because my documentary work is influenced by two German photographers more than anything else, Wolfgang Tillmans and Juergen Teller. Both of them are very well known, I have looked at their work since 2001. 

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Please note: All arts are property and under copyright licence of Louis Vorster.

2010sdafrika-editorial staff: You worked already for several big enterprises, like Vodacom, Nike or The South African Airways. On the one hand, you are producing portraits. On the other hand, you are capturing pictures from landscapes, music events and polaroids. Your collection „Portraits #1“ is really interesting – what is your message to the public?

Answer: Smile!

2010sdafrika-editorial staff: In the past, we have interviewed Zanele Muholi, a lesbian black photographer from Durban. She told us, that photographer will be in social trouble, if they are focussing on intimacy. Does the South African society being ready for ´spunky´ arts?

Answer: South Africa is such a diverse society. Communities not only range from liberal to conservative but we also have different cultural backgrounds. Topics that may be everyday conversation in one community could be a big taboo in others. Unfortunately some people will always be blinded by the subject matter of a photograph to such an extent that they will never be able to appreciate any other value that the work may have. Artists like Zanele Muholi face challenges not always understood by us who express and present our work to more liberal (and tolerant) audiences.

2010sdafrika-editorial staff: Which upcoming projects are you preparing?

Answer: I started shooting a documentary on violence under farm workers in the Cape winelands about a year ago, I would like to push this project a bit harder and maybe realize it in the next few months.

2010sdafrika-editorial staff: Which dreams would you like to realize?

Answer: I would like to shoot a big documentary, something I can sink my teeth into. Something important that will keep me occupied for 6 months to a year. Also. I would like to get paid for it. 

2010sdafrika-editorial staff: Louis Vorster, portrait photographer from Cape Town in South Africa, thank you very much for this interview!

2010sdafrika-article to photographer Roger Ballen:

https://2010sdafrika.wordpress.com/2011/03/20/photos-with-reflection-on-the-psyche-roger-ballen-in-interview/

Graffiti Arts from Cape Town

Street arts from Cape Town are cool, man!

(Editor: Ghassan Abid)

In September 2010, „SÜDAFRIKA – Land der Kontraste“ – the German gateway to South Africa – has interviewed Falko Starr, one of the most famous graffiti artists from Cape Town. His work has been reached the interest of several Germans and other Europeans, above all the interest of the sport articles manufacturer Adidas. It´s a pleasure to present recent graffiti works produced by Falko in our virtual gallery. All pictures are under copyright license by Falko Starr.

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Facebook group „Falko One“ by Falko Starr:

https://www.facebook.com/#!/pages/Falko-one/161187987282182

Kunst als Mittel der Vergangenheitsbewältigung

Die kreative Entfaltung kennt keine Grenzen

(Autor: Ghassan Abid)

### Sonderberichterstattung ###

´Tunesien-Woche für Demokratie´

© Sequenzausschnitt der Parodieshow ´kharabeeshtunisia´ (Quelle: YouTube)


Nachdem der ehemalige Präsident, Zine el-Abidine Ben Ali, das Land fluchtartig verlassen musste, erhält die tunesische Kulturszene eine Neubelebung der nicht bekannten Art. Schon während der Jasminrevolution wurde auf künstlerischer Weise gegen das politische System à la Ben Ali demonstriert, vor allem unter Einbeziehung der Neuen Medien.

Die  in Frankreich lebende Sängerin Amel Mathlouthi sang in Europa zuerst jene Lieder, die sich deutlich zur Freiheit des tunesischen Volkes positionierten, setzte diesen Protest jedoch auch in der Hauptstadt Tunis fort. Im Hintergrund ist die Stimme des Volkes zu hören und im Vordergrund die Melodie der Freiheit – genau diese Symbiose erweist sich mittlerweile als „Nouvelle scène de l’art tunisien“.

Melodie der Freiheit

Vor allem Rapper gelten in Tunisien, schon während der Ben Ali-Ära, als kritisches Sprachrohr der nationalen Musikszene, die kein Blatt vor den Mund nimmt und die Verantwortlichen der Regierung direkt attackiert. Der wohl bekannteste Musiker im Rap-Business stammt aus Sfax und nennt sich El Général. Er gilt als Vorbild vieler Jugendlicher, dessen Berühmtheit mit dem Beginn der Jasminrevolution auch im Ausland zugenommen hat.

Rap Tunisienne

Neu sind Parodien, wie ´Kharabeesh Tunisia´, die sich auf spöttischer Art und Weise schwerpunktmäßig mit dem abgesetzten Präsidenten und seiner Ehefrau Leila Trabelsi auseinandersetzen und die vergangenen Entwicklungen mit viel Zynismus aufgreifen. Allerdings wird die gegenwärtige Parodie in Tunesien verstärkt aus dem Ausland bestimmt, insbesondere durch Kunstschaffende aus dem Nahen Osten.

Parodie wird in Tunesien immer beliebter

Einige (Straßen-)Künstler gehen sogar soweit, dass sie mit teils brutalen Handlungen den Bruch mit der Vergangenheit verdeutlichen wollen. Allerdings erweist sich diese Kunstform als bisweilen nicht salonfähig.

Ist das noch Kunst?!
Im Großen und Ganzen ist die gegenwärtige Kunstszene des nordafrikanischen Landes breit aufgestellt. In bestimmten Feldern, unter anderem im Parodiebereich, wird sie durch ausländische Künstler dominiert, während die Musikszene die populärste Sphäre der Kreativität darstellt. Darüberhinaus legt das Goethe-Institut Tunis sein Augenmerk auf die Bloggerszene, um jungen Leuten ein größeres Forum der öffentlichen Artikulation eröffnen zu können – ganz im Sinne von Demokratieförderung.

Beiträge der 2010sdafrika-Redaktion zur ´Tunesien-Woche der Demokratie´: