Schlagwort-Archive: right

Insight into Orania

1000 inhabitants, 10000 fellows and 70 businesses making Afrikaner homogeneity possible

(Autor/ Editor: Ghassan Abid)

Deutsche Interview-Zusammenfassung:

Exklusiv konnte „SÜDAFRIKA – Land der Kontraste“ einen Einblick in Orania erhalten und mit dem Vorsitzenden der Orania-Bewegung ein Interview führen.  Bei Orania handelt es sich um eine nach außen abgeschottene Burengemeinschaft, die auf ihre eigene soziopolitische Souveränität beharrt. Bislang ist es nur Spiegel Online und NZZ Online gelungen, diesbezügliche Hintergrundinfos zu bekommen. Orania ist jener Ort, welcher als letzte Bastion der Apartheid bezeichnet wird und 1990 als privatrechtliches Unternehmen gegründet wurde. Einem Ort, in welchem keine schwarzen und farbigen Bürger wohnen dürfen, sondern nur weiße Afrikaner – die Buren. Einer Zuflucht für und von „Rassisten“, die über eine eigene Ora-Währung verfügt. Hingegen duldet die südafrikanische Regierung die Orania-Gemeinschaft und zeigte darüber hinaus bereits mehrfach die Gesprächsbereitschaft. Jacob Zuma und Julius Malema statteten dieser Gemeinschaft einen Besuch ab, welche sich selber auf das Selbstbestimmungsrecht nach Artikel 235 der südafrikanischen Verfassung beruft. „Die Erhaltung der Afrikaner-Kultur“ und die Aufrechterhaltung einer kulturellen Mehrheit werden als oberste Ziele verfolgt, so der Vorsitzende von Orania, Jaco Kleynhans. 1.000 Afrikaner und 10.000 Oraniërs [Sympathisanten] bekennen sich zum eigenen homogenen Gesellschaftsmodell im heterogenen Staatsmodell Südafrikas. Rund 70 Geschäfte bestehen in Orania, so Kleynhans. Auf die Frage hin, ob Orania nicht gegen Artikel 1 der Verfassung verstoße, wonach nicht nach rassischen (non-racial) Kriterien diffenziert werden darf, erwidert er, dass Orania vielmehr eine Gemeinschaft mit kultureller Identität sei. Orania hat nach eigenen Aussagen nur Kleinkriminalität und keine Arbeitslosigkeit. Jedoch betont Jaco Kleynhans, dass zunehmend mehr Afrikaner dorthin ziehen möchten und die Gemeinschaft dementsprechend an ihre Grenze stößt. Verbindungen zur Rassistenpartei ´Afrikaner Weerstandsbeweging (AWB)´ von Eugène Terre’Blanche bestehen laut Kleynhans nicht. Die Anwendung von Gewalt, so der Interviewte, verstoße gegen die die Prinzipien von Orania. Hinsichtlich der Informationen, wonach verschiedene Parteien Südafrikas in Orania Wahlkampf betreiben, betont Kleynhans, dass in der Gemeinschaft solche Vereinigungen nicht zugelassen sind und vielmehr nach dem Verhältniswahlrecht gewählt wird. Denn Orania verfügt auch über eine eigene Volksvertretung; einem Quasi-Parlament. Zur abschließenden Frage, was der Vorsitzende vom deutschen Multikulti-Modell halte, lässt er diese im Grunde genommen unbeantwortet bzw. beruft sich erneut auf das Selbstbestimmungsrecht und diesmal im Kontext mit der deutschen Minderheit im italienischen Südtirol. Die Veröffentlichung dieses Beitrages fällt bewusst auf den heutigen ´Internationalen Tag gegen Rassismus´ und soll verdeutlichen, dass weiterhin enormer Handlungsbedarf bei der Bekämpfung von Vorurteilen besteht – vor allem in Südafrika.

© Orania-Flagge - Selbstbestimmungsrecht in Form eigener Symbolik und unter der Duldung der südafrikanischen Regierung

© Jaco Kleynhans, CEO of the Orania Movement

2010sdafrika-editorial staff: We would like to welcome on „SÜDAFRIKA – Land der Kontraste“, the German Gateway to South Africa, Mr. Jaco Kleynhans, CEO of the Orania Movement.  The Orania Movement has been established in 1990. You are holding an enterprise character within South Africa. What does it mean, that Orania is an „Afrikaans cultural movement with the aim to restore Afrikaner freedom in an independant, democratic Republic“?

Answer: The Orania Movement believes that the future of Afrikaners in ‘n multi-cultural South African wil depend on our own efforts to preserve our culture in a part of South Africa where we can be the majority. The North West Cape is an area with a very small population and therefore we want Afrikaners to move here in larger numbers so that we can be the majority in the region and therefore control things like education, local government, etc.

2010sdafrika-editorial staff: How many Afrikaner and shops/ firms are placed in Orania? Is your community getting foreign investments? And what is about taxes?

Answer: Taxes in Orania is the same than in the rest of South Africa. There’s about 1000 people living in Orania with thousands more ‘uitwoners’ (people who call themselves ‘Oraniërs’ but who don’t live in Orania yet. There’s about 70 businesses registered in Orania and economic development is a strong focus.

2010sdafrika-editorial staff: Are blacks or coloured allowed to live in Orania and if not, isn´t transgressing the article one of the South Africa constitution: „The Republic of South Africa is one, sovereign, democratic state founded on the following values: … Non-racialism and non-sexism…“ ?

Answer: Orania doesn’t focus on race, but only on culture. We’re a took for Afrikaners – thus people adhering to Afrikanerculture.

2010sdafrika-editorial staff: How far is poverty, unemployment and crime facing Orania?

Answer: We don’t have much crime, only minor crimes from time to time. There is nearly no unemployment in Orania. There is an increase in poor Afrikaners moving to Orania and we are trying to find sustainable solutions for Afrikaner poverty. We do have a large worker class in Orania and people may sometimes view them as ‘poor’ as most Afrikaners still cant understand the need for a strong Afrikaner working class.

2010sdafrika-editorial staff: In German Media, the Orania Movement has been described as the last colony of racists in South Africa after Apartheid. Does relations existing between Orania and the by Eugène Terre’Blanche founded Afrikaner Weerstandsbeweging (AWB)?

Answer: Orania has no relationship with the AWB and we strongly differ in strategy from them. We don’t believe in the use of violence and strongly condemn the violent actions by right wing Afrikaner organisations in the past.

2010sdafrika-editorial staff: The South African government is toleranting your movement. Orania has been visited by coloureds and blacks; in 2009 by ANCYL president Julius Malema and in 2010 by president Jacob Zuma. What do you think about the reasons, that your project hasn´t been prohibited yet?

Answer: What we’re doing in Orania is in line with the South African government and specifically article 235 which give cultural communities the right too selfdetermination.

2010sdafrika-editorial staff: In 2004, Orania introduced its own currency, which called Ora. Which meaning has local money in a globalized world? And is the South African Rands accepted in Orania?

Answer: The Rand is accepted in Orania. The Ora is used to improve local trade and is an internationally recognised model of localization.

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2010sdafrika-editorial staff: The Orania Representative Council is acting like a parliament. Is it right, that the Democratic Alliance (DA) and Congress of the People (COPE) competed in the election of 2009? Is it allowed to the ANC to participate in Orania elections?

Answer: Our local election isn’t based on political parties so no political party can take part in Orania elections. We vote for individuals. In the South African municipality around us any party can take part in that election and we also host an polling place in Orania.

2010sdafrika-editorial staff: What do you think about multicultural societes like Germany?

Answer: We simply believe in the right of all cultural groups to practice their own culture, language, religion and traditions in a fair way. We also strongly believe in selfdeterminination and therefore support the efforts by the Flemish people in Belgium , the German speaking people in South Tyrol (Italy), the Catalions in Spain and the French speaking people in Quebec (Canada) as they strive for greater selfdetermination.

2010sdafrika-editorial staff: Jaco Kleynhans, CEO of the Orania Movement, thank you very much for this insight interview!

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Exklusive Interview with Zapiro

4000 Cartoons and 15 books. Johnathan Shapiro about his life, freedom of opinion and politics

(Editor: Annalisa Wellhäuser)

Open any South African newspaper today and you will most probably find a cartoon that comments South African politics drawn by the artist Zapiro. Who doesn‘t know the famous sketch picturing the current South African president Jacob Zuma with a shower above his head alluding to his statement that he took a shower after having had sex with an HIV-positive woman. Zapiro, born 1958 as Jonathan Shapiro in Cape Town, is the most famous cartoonist of these days in South Africa. His drawings appear in the Mail and the Guardian,Sunday Times and The Times. Moreover his art has been published in exhibitions all over the world and he has won numerous awards.

© Cartoon by Zapiro: President Jacob Zuma is taking a shower after having sex with a HIV infected woman.

© Cartoon by Zapiro: Lady Justice in danger.

© Cartoon by Zapiro: Whites have benefited from Apartheid.

„SÜDAFRIKA – Land der Kontraste“, the German Gateway to South Africa, met Zapiro in his office in Cape Town to find out more about this artist who is not afraid to say what he thinks with if it comes to politics.

Zapiro already discovered his passion for art as a child. Back then he used to have nightmares about frightening monsters and in order to deal with those scary dreams, he started drawing about them. Indeed that kind of self-therapy did help him to overcome his nightmares. And not only that; He enjoyed the drawing a lot. It was his dream to become an artist. He entered drawing competitions and also was active for the school newspaper. He invented the little character “Prepi“, who commented on what‘s going on in preparatory school.

Soon ,he was also confronted with the politics happening in his country. His mum made him aware already at a very young age that they were living in a society “that was wrong“; his very first “kind of political experience“ was when Verwoerd 1 was assassinated in 1966. In school they were asked to pray for the “architect of apartheid“ and Zapiro remembers being confused and thinking“ Hey, this was not a good guy!“. Throughout his school time he was “at odds” with the general trend of supporting Apartheid amongst even English speaking white people, but he was not yet involved in any political actions at that time. After school he started studying architecture; not because he was passionate about it, but in order for him to stay out of the army. When he decided to change to graphic design and try to become a cartoonist, they „got him„, he had to enter the army. In the army Zapiro refused to carry a gun, so they made him carry a heavy wooden dummy and made fun of him. Once a colleague made him stand guard with it, „which was ridiculous, I became a bit of a laughing stock but in a funny way, like a clown thing„, Zapiro says.

However, the joke actually backfired, because he showed the other conscripts that he could handle this heavy arm very well as by doing exactly everything that they were doing with it. This was his way of rebelling against this and spreading his political message. He was regarded as a political consciousness non-commitant, as a communist, as dangerous. At that time he was not yet involved in any political organization, the UDF (United Democratic Front) formed just over a year after he was conscripted. But when it was formed in 1983, it was absolutely clear for him that he would join. Same appealed to his mum, his sister and a lot of his friends. Suddenly there was this non-racial grouping that felt right for them: much more elegentarian, much more open and much more connected to national politics. It was also connected to the ANC-but he didn’t want to be involved into nor speak about it, because that was dangerous when they found out they were linked. Him and some of his family members even got detained at some point.

However, Zapiro has never wanted to be a politician. He sees a big difference between being enormously involved as an activist and becoming a politician. ,,Professional politics are very different from being a political activist.” In his opinion only a few people managed to retain this integrity and those principles that guided them and made them passionate. Other people do things now out of personal gain or party political aims; they have become corrupt, comfortable and a bit apathetic compared to what they used to be. Also there are those who are within a party and are against those who are outside the party and maybe doing good things. „All those things I would hate„, he states. He has seen people he knew who have made this trancession- only a few managed it successfully. According to him the country needs people who become politicians and remain focussed, altruistic and incorruptible. But the country also needs civil society and media-so in his opinion his best role is to be a visual columnist- and still to a little extend an activist. To produce his drawings, he obviously needs to do a lot of research on politics. For that Zapiro listens to the radio a lot, reads many different newspapers and consults the internet in order to look at the same sort of issue dealt with in different ways. Also he records some things broadcasted on television.

© Johnathan Shaprio alias Zapiro, South Africa´s most influential and provocative cartoonist. He has been in conflict several times with the government.

Zapiro explains that cartoons are primarily about thinking and communication; about finding a device to say something that one believes in. „They are 80% idea and 20% drawing.„ According to him there are cartoonists out there, who are good, but not necessarily the best cartoonist in the world -however they are really able to communicate by their art. On the other hand it would not be possible to carry weak ideas with good drawings. „It`s about thoughts. „ To give an example, Zapiro speaks about one cartoon that he did, which displayed a little line of text on top saying „Whites who never benefited from Apartheid„ and a blank page underneath he states that at the time of the release of the cartoon, there were people denying to have known about Apartheid. There were white people avoiding responsibility for the benefits that they were given while living under Apartheid.

Zapiro was irritated by that attitude and got inspired to create this „cartoon„. This cartoon did not even have a picture, but still, so Zapiro, „ This cartoon was conceptually really good and really powerful, one of the best cartoons I have ever done.„ It is Zapiro`s intention to trigger strong reactions with his drawings amongst the people. He wants to make people think. Maybe some people say „That’s exactly how I feel, I didn’t know how to express it.„ But he is not only addressing the people who think exactly like him- which, in his opinion, would not make any sense. He knows that there are people, who might agree and as well disagree on his thoughts on certain issues. However it is not his intention to convince the people, who think completely different. According to him it is all those people in the middle-he can make them see something in a new way by being a little bit persuasive to them.

When asking him what subject he would like to draw a sketch on, that he is not allowed to draw one on, he replies that there is nobody who can tell him not to do a cartoon on a certain topic. It is rather him who holds himself back. When he started as a political activist he used to be quite constrained by political correctness, whereas these days he is ready to accept those rules. „ I don’t like to gratuisly insult people in a hurtful way, who are in a way vulnerable.„ Still, even then his feeling of what is acceptable to draw a cartoon on would be way further down the line than that of others. If he felt that people are the aggressors, he wouldn`t care about them. For instance, if it comes to religion. In his view religion has done a huge amount of harm with regard to gay people and women and it has even promoted spread of HIV. Concerning this topic he would go really hard for the people in power.

Zapiro says he has done things that people would consider totally insulting. He states that some things around traditional culture are quite difficult to deal with in cartoons, because people treat them in a way religion is treated. According to him there exists some kind of communality. And at the moment there would be plenty of times when cartoons can be misinterpreted on purpose to make people out as racists even though they are not.

After the feedback that Zapiro is receiving is not always positive; president Jacob Zuma has pressed charges against him already for doing certain drawings on him. Zapiro says that he believes in the South African institutions, in the constitution , and he feels that these are strong enough to keep up freedom of speech -which he supports and which is part of what gives him resolve. Zapiro explains that his politics haven`t changed a lot, but politics of some people in power have changed and he considers himself lucky to not have as much constraints as people in power. If he believes in something he will go for it.

Further I ask him about his opinion concerning voices in this country saying that some kind of reversed apartheid is arising, where it is now black South African people against the other cultures. Zapiro responds that this is one of the topics, where he will get either into one form of discourse or another depending on who he is speaking to. On the one hand, if he would be speaking to his old political comrades he would be mouthing off at the death of non racialism and at the rise of a certain form of nationalism and elitism. On the other hand, if those amongst the white South Africans, who have never had “political bone„ in their body during apartheid era come and complain in an uninformed way to him about how bad things are and so called „reversed racism„, he gets into a whole different conversation. He would try to explain how much better things are now than they were then. And after all it is still white people who are at the top of the power in many important fields. He says that there is a certain kind of racism that still exists very strongly in the white community of South Africa. He continues saying that there are some absurdities in the way that affirmative action has been taking place; not the way it should be. And that he is the last person to say that all is ok. But to claim that things are the same way as they used to be in Apartheid, simply reversed, was not true, but absolute rubbish.

Then we speak about Julius Malema singing the old song „Kill the boers„. Zapiro calls Malema`s behaviour „crass and wrong„, he could not sing that song in the context of the new South Africa. He explains that the song was an apartheid era song, which had a metaphorical reason. It was about killing the system of apartheid, to fight those police men and farmers, who really were brutally assaulting and killed people .„And that was all understood then.„ Zapiro states that it is wrong to sing that song today, because its purpose is essentially to try „to mobilize disaffected youth, because the ANC is not delivering properly to them and try to make them focus some of their anger on people, who these days are not necessarily aggressing, at least not the same extent as before.”However, he thinks that one cannot ban a song and that the high court`s decision to try to prevent him from singing the song was wrong. As a supporter of freedom of express he does not agree on it. „You can call somebody a political opportunist without saying you are not allowed to sing that song. It is a lot more nuanced and complicated than saying: Julius Malema is the equivilant of what Terre Blanche2 was…it doesn’t work like that.„ Zapiro has done cartoons criticizing that decision of the court. I support the human rights commission and the UN`s determination on the definition of hate speech and that it should be prevented. He explains that that would be hate speech where you could make a connection between something that was said, such as a speech, a song or a piece of writing, and the active going out and killing somebody. However, he doesn`t think that “ people went out killing people because of what Julius said…. “3 “If you can make that connection, that because of that song that person was killed..that`s where you can draw the line. But that’s very far down the line of speech before you can make that decision.”

Zapiro says that there was a complaint about his cartoon „Lady justice„ and that the human rights commission exonerated him for doing the drawing and its publication, because of their determination that it is not inciting anyone to do anything to anybody else. „It was a metaphor about what Zuma was doing to the judiciary.„ „Freedom of express is very important to me.„ So if he started saying ,they should ban that song, then he could as well allow somebody to say to ban his cartoon, because both of them could be interpreted in a way that they could be objectionable.„There has to be consistency.„

Zapiro is producing with his cartoons political messages

Before the interview comes to an end I would like to find out from Zapiro what are his wishes for the new South Africa, what kind of development he thinks is necessary for it to become the peaceful rainbow nation everybody is longing for. Zapiro answers, „I remember when Tutu came up with the rainbow nation idea during the meeting of the inconscription campaign in 1985.It was always a bit idealistic. „ According to Zapiro, Tutu wished for rainbow coalition of different groupings in the political movement fighting for the same aim: freedom, non racialism, democracy. However, Zapiro believes that South Africa has only had a few rainbow-moments since democracy. As an example he names the rugby world cup in 1995. “I`m afraid to say now, that unlike before, where I thought the white community was hugely responsible for not apologizing and not taking responsibility, I still say that ,I think now a lot more could have been done if the ANC had not become fat, comfortable and corrupt, and if say the people at the top were not promoting this narrow elite and not just paying lip service to delivery, but really were delivering and trying to bridge the wealth gap. That is where is should go.„ Zapiro believes that only then people can have some real reconciliation, because so far there are a lot of unresolved matters after truth reconciliation commission hearings. According to Zapiro, it is most important to close the inaquity in this society.„ South Africa has become the most inequal society in the world , we are even behind Brazil. And for that to be the state almost after 17 years of democracy is outrageous.„

Finally I would like to find out what Zapiro`s personal plans and dreams are for the future. „For the medium term I want to continue what I`m doing, but want to make sure I`m still feeling like I`m relevant and got something to say, because if I do not- I want to pull out and go for something in the long term.„ He has managed to produce over 4000 cartoons and 15 books , but he doesn`t want to do the same thing for ever, he also wants to do other things. In the long term Zapiro would like to move into some other genres of cartooning and storytelling, which he loves. He would like to become a bit more balanced person, because the intensity he has with the cartooning does tend to overwhelm a great part of his life. He wants to spend more time with his family.

HIER FINDEST DU DAS INTERVIEW IN DEUTSCH.

1   He was the 3rd national party prime minister after DF Malan and Jacob Strijdom
2   Formed the Afrikaaner Resistence Movement during Apartheid< was seen as white supremacist
3   Discussion in South Africa about a possible connection between Malema singing the song,,Kill the boers“ and the murder of Terre Blanche

Pieter-Dirk Uys – Comedian in interview

„Freedom of speech means we have the right to opinions“

(Editor/ Autor: Serge Aka)

Deutsche Interview-Zusammenfassung:

Als Frauen verkleidete Comedians, wie Hape Kerkeling in Deutschland, sind in fast allen westlich-orientierten Staaten vorzufinden; auch in Südafrika. Pieter-Dirk Uys ist am Kap dafür bekannt, dass er sich in die Rolle von impulsiven Damen begibt und mit Zynismus, Ironie und Provokation auf sein Gegenüber einwirkt. Insbesondere um seine Rolle als Evita Bezuidenhout/ Tannie Evita lieben ihn die Südafrikaner.  So stellte er einmal die These auf, dass Frauen zurück in die Küche müssten (siehe das unten abgebildete Video). Der in Kapstadt geborene Comedian kritisierte auf einer literarisch-künstlerischen Ebene das Apartheidregime und machte sich somit zum Gegner der weißen Minderheitsregierung.  Mit Mut und Ehrgeiz engagierte er sich als Evita immer wieder gegen die Apartheid, sodass er eines Tages sogar den  persönlichen Lob von Nelson Mandela erhielt. Mit Berlin verbindet Pieter-Dirk Uys viel Zuneigung, da ein Teil seiner Familie aus der Bundeshauptstadt stammt. Das Erlernen der deutschen Sprache, so verriet uns der Comedian während seines Berlin-Aufenthaltes exklusiv, wird angestrebt, um dessen Shows eines Tages auch in Deutsch anbieten zu können. Wir freuen uns, dass auch diese Person des öffentlichen Lebens den Fragen des Portals „SÜDAFRIKA – Land der Kontraste“ zur Verfügung stand.

© Pieter-Dirk Uys - South African comedian with German ties

© Pieter-Dirk Uys – South African comedian with German ties

2010sdafrika-editorial staff: We would like to welcome on „SÜDAFRIKA – Land der Kontraste“ the South African comedian Pieter-Dirk Uys. Mr. Uys, how did you get in comedy? Was it a dream of your childhood or the result of a challenge?

Answer: It was more a challenge to try and fight the fear of authorities and politics, apartheid. There were various ways to fight it and I just thought to fight it with humor might involve many people because a lot of politics was very stupid and needed to be pointed out.

2010sdafrika-editorial staff: You are known as a satirist, who has the gift of gab. You love to play female Characters. Your performance is inspired by desperate first ladies. How do you choose them and what message do you want to communicate?

Answer: Well there are so many interesting women in politics, Margaret Thatcher, Angela Merkel,…I mean there is a sort of really they offer themselves as theatrical characters. I think in this case it is very interesting to look at women in politics, their strength in a world of men, how they use their body language, make-up, hair to get away I think they are very successful in politics and it is very theatrical, I think the audience finds it funny and interesting to see a man suddenly become a female character.

2010sdafrika-editorial staff: With your character Evita Bezuidenhout you have criticized during Apartheid the racial segregation between white, black, colored and asiatic. How have the reactions of the government and the white public to your shows been?

Answer: You know the old days I was censored and there was a lot of police harassment to trouble which was expected. In the democracy we have freedom of speech, so within the framework of that I had a very successful career. There are some of the politicians that are uncomfortable with what I say, but that is ok I don´t mind, I don´t particularly want them to be a fan, I mean they give my material and in case they do like what I say they can resign.

Evita Bezuidenhout: „Women should be go back to the citchen“

2010sdafrika-editorial staff: Don´t you fear for your life?

Answer: No no no, you know I keep on saying if you fear for anything, you can´t tell the truth. If I don´t tell the truth I am going to be fearful because a lie is serious, the truth is serious enough, you don´t have actually to lie more to make it entertain.

2010sdafrika-editorial staff: In the past, you interviewed the most famous hero of South Africa, Nelson Mandela. He told to you following phrase: „You are one of my heroes“. Which feelings did you have at that time?

Answer: I mean first of all I am sitting in a character as Evita, and there is Nelson Mandela talking to Evita but saying to me you are one of my heroes, I think it was wonderful, it was such a great. The man´s humanity and its humor is extraordinary and I have been blessed with my friendship with him and it is something that changed my life.

2010sdafrika-editorial staff: About this friendship, can we say that it is something you have been expecting before?

Answer: Well, for most of his life he was in jail and he was away, but he used to see my videos in prison, there used to show videos on robben island and so, I used to get messages from Winnie Mandela, from Nelson through Winnie. So I was looking forward to meeting him when he came out.

2010sdafrika-editorial staff: Mr. Uys, you know the public figure Desmond Tutu too. He is still condemning the Israeli occupation of Palestine as „Apartheid“. What is your opinion in this matter?

Answer: Freedom of speech means we have the right to opinions and I think he was right to talk about that aspect, he was very verbal during Apartheid about cultural boycott. I personally was not very convinced about cultural boycott during apartheid, because the culture that was not sent to South Africa was in fact the culture that would have destroyed Apartheid. I was glad that he brought it up, so that the companies of which ninety per cent were young black people had to think about that. How do they feel about going into a place where Palestinians are not allowed to go? But Desmond Tutu always leads in its criticisms and his prayers; he is a very special human being.

2010sdafrika-editorial staff: What do you feel when you come to Berlin knowing that your mother is originating from this place? Do you have ties to Germany and German comedians or even a German part-identity?

Answer: I do not have ties to people here other than friends, but I feel very familiar here in Berlin. Having been here many times and doing show here makes me feel well, that is why I want to come and live here for a year and really learn the language, so that I can also perform in German language.

2010sdafrika-editorial staff: Which dreams would you still realize in your private and professional career?

Answer: One of my dreams is to establish my German language to the extent that I can also do a performance here. You know also the year use to have 365 days whereas my year has only two days, today and tomorrow. Today is the most important day and I do not want to look across tomorrow and ignore what today has to offer.

2010sdafrika-editorial staff: Does it mean you do not plan the future?

Answer: Of course I do plan years in advance but in pencil so that you can rub it out and write again. It is very important to plan but also very important to listen and to see how quickly things go. Look at Egypt, in a week has completely changed from one thing to another. It is very exciting.

2010sdafrika-editorial staff: So you live the present?

Answer: Of course.

2010sdafrika-editorial staff: Pieter-Dirk Uys, South African Comedian, thank you very much for this interview!