Schlagwort-Archive: school

From styling to singing

Lindiwe Suttle – singer, songwriter and model – in interview

(Autor/ Editor: Ghassan Abid)

Deutsche Interview-Zusammenfassung:

© Lindiwe Suttle, model and singer

Lindiwe Suttle ist eine US-amerikanische und südafrikanische Bürgerin, die einen äußerst bunten Werdegang vorzeigen kann. Die  Stylistin arbeitete anfänglich mit mehreren Superstars wie Beyoncé and Ciara zusammen. Ihre Arbeit war durchaus herausfordernd – sagt sie – da nicht viele VIPs ihre Person in punkto Make-up und Haare verändern woll(t)en. Denn Styling kann letztendlich als Kritik zum eigenen Stil aufgefasst werden. Und dennoch verspürte die Tochter einer südafrikanischen Mutter den Drang nach  kreativer Selbstverwirklichung. Sie arbeitete einige Jahre im US-Modemarketing, kündigte ihren Job und wanderte nach Kapstadt aus, wo sie den Modeeinkauf ausübte. Im Anschluss lebte sie im Rahmen einer Beziehung in Hamburg, welche zerbrach. Diesen Schmerz verarbeitete sie in Zusammenarbeit mit dem Produzenten Benni Dernhoff auf künstlerischer Weise – beginnend als Leadsängerin der Jazz-Hip-Hop-Band „The Collective Imagination“, dann mit Unterstützung des Düsseldorfer Rockmusikers Marius Müller-Westernhagen als Solokünstlerin.

Mittlerweile konnte sich Lindiwe Suttle – eine Powerfrau mit afrikanischen Werten und amerikanischer Prägung – als Sängerin, Songwriterin, Artistin und Model etablieren. Vor allem die Musik, welche sie seit 2007 professionell betreibt, bedeutet ihr sehr viel. Diese bezeichnet sie als „Kern für alles“. In bekannten Magazinen wie Elle, Vogue, Cosmopolitan oder GQ wurde Suttle abgebildet. Genauso warb sie für die Marke Frazer Parfum, worüber sie sehr glücklich ist. Lindiwe Suttle betont, dass sie eine große Bindung zu ihrer südafrikanischen Heimat hat. Dementsprechend kooperiert sie bewusst mit südafrikanischen Designern wie Lara Klawikowski, Kutloano Molokomme und Cleo Droomer. Auf diesem Wege trägt sie zur Internationalisierung der südafrikanischen Fashionszene bei. Auf die Frage hin, wie man die gesellschaftspolitischen Probleme Südafrikas angehen sollte, beantwortet die Sängerin diese mit einem Angebot an guter Bildung. Für 2012 steckt sich Lindiwe Suttle große Ziele, nämlich die weltweite Aufführung von mindestens 40 Shows zu ihrem Debütalbum Kamikaze Art.

Lindiwe Suttle’s „MAN MADE MOON“ (debut single)

2010sdafrika-editorial staff: We welcome on „SÜDAFRIKA – Land der Kontraste“ – the German Gateway to South Africa – Ms. Lindiwe Suttle, model and singer. May you please inform the readers where you come from and where you are based at the moment?

Answer: I was born and raised in USA to a South African Mother and an American Father. I was raised with traditional African values in a very American surrounding. I lived a very different lifestyle than my American friends. My mother taught me the values she learned from her grandparents.

I have lived in Cape Town in South Africa for the past nine years. Cape Town is an important city to me and I consider it my home. It is dear to my heart because this is where I launched my music career, which is significant in my life.

2010sdafrika-editorial staff: You worked in the fashion industry with superstars like Beyoncé and Ciara. Which moment has changed your mind to switch over into self-expression? 

Answer: Being a stylist is a hard job. At the time many films were coming to Atlanta, my hometown. I was lucky singer Beyonce was the first big star I worked with, she was kind and humble to me even with all my beginner mistakes. I worked with other celebrities after her that were a little less forgiving.

The job of a stylist is challenging because everyone thinks they have great style. A makeup artist or hair stylist is seen to have a professional skill but style goes deeper it touches ones character. Not many people are open to changing their personal style like they would a hairstyle or wearing a different shade of lipstick.  Style suggestions are more personal, almost like a criticism to their character. In the end, I realized I excelled best at expressing my own personal style. I use fashion on stage in my theatrical shows, elaborately styled music videos and photo shoots. I love playing with fashion, it’s an expression of all my characters. The music is the core of everything and everything else is just extra to make it more visual.

2010sdafrika-editorial staff: You are known as model, especially in South Africa. Magazines like Elle, Vogue, Cosmopolitan or GQ have reported about you. What does the South African fashion style represent?

Answer: I have been lucky to model for brands like face of Frazer Parfum and I was the face of the Woolworths beauty campaign. I never took the job as a model serious till I was in front of the camera. I give respect to models, it’s a tough job knowing the right angels for your face.

There is an abundance of talent in South Africa. The challenge now is getting the designers international exposure. I have been a big supporter of local talent since I have lived here. I credit them for getting my into Vogue Italy and helping me win style awards like Glamour Magazine’s Women of the Year – Style Icon and the 2010 SA Style Award. I have a great relationship with many South African designers, Lara Klawikowski, Kutloano Molokomme, Cleo Droomer all create costumes for my shows.

© Lindiwe Suttle as part of the Frazer Parfum campaign „Ambassador for Nature“

2010sdafrika-editorial staff: Additionally to your model job, you are performing as singer. Isn´t it an unusually combination? How could you combine both professions?

Answer: I have been a singer, songwriter and performance artist since I began my music career in 2007. I started out in business and after my MBA I worked in the fashion industry in fashion marketing, merchandising and eventually styling celebrities. I moved out of the entertainment business and moved to SA wanting to focus on my own goals. I worked in fashion buying in Cape Town for a couple of years and I learned a lot about the retail but felt too restricted in the corporate environment. I quit my job and that was when I found music again.

2010sdafrika-editorial staff: We took notice, that are you in contact with Germans in artistic matters. Which impression do you have of Germany?

Answer: After I quit my corporate job I moved to Hamburg Germany for a relationship that eventually went bad. This relationship was a catalyst for me to starting writing lyrics all inspired by this love gone wrong. I worked in studio for the first time with Hamburg producer Benni Dernhoff. We created me first demo that I took to SA.  I auditioned as lead singer of The Collective Imagination, a jazz-hip-hop band and performed for one and half year with them. I launched my solo career end of 2009. I was discovered by German legend, Marius Mueller-Westernhagen and his wife Romney. They have been my big support in my music career. One year later, Marius connected me with Tim Renner and Motor Music, my management company. Motor Music introduced me to producer, Ivan Georgiev. Ivan and I worked on my debut album, Kamikaze Art all of 2011.

Lindiwe Suttle and the jazz-hip-hop band „The Collective Imagination“

2010sdafrika-editorial staff: South Africa is in German media mostly in context with negative headlines. Which are the biggest problems of this young democracy and what should politics and society do?

Answer: I think it is important to redesigning the current educational system to better prepare our youth for a prosperous future in the global market. I would love to  build a free skills training school in each community for all ages. There would be a variety of free classes offered like leadership classes for adults, arts for children, cooking, and sports. I think a good education is the first step to a better South Africa.

© Lindiwe Suttle: „My music comes from the heart and I feel it is the most open and honest I have been about the experiences in my life.“

2010sdafrika-editorial staff: Which dreams in private and professional view would you like to realize?

Answer: My biggest goal in my life is to stay healthy and happy without these two things nothing else can happen in your life. In music, I want to perform worldwide and tour my debut album, Kamikaze Art. My goal is perform at least 40 shows in 2012. I want  to take Kamikaze Art to audiences around the world and have them experience my live shows with me. My music comes from the heart and I feel it is the most open and honest I have been about the experiences in my life.

2010sdafrika-editorial staff: Lindiwe Suttle, model and singer, thank you very much for this interview.

„I am a proud member of the ANC“

A guest article by Sibusiso Buthelezi, blogger on www.thesbu.com

– ANC-SPEZIAL: 100 JAHRE –

© Sibusiso Buthelezi - proudly ANC member, former head in Gauteng Department of Public Transport, Roads and Work AND blogger on http://www.thesbu.com

Deutsche Zusammenfassung:

Mit 15 Jahren widmete sich Sibusiso Buthelezi dem Afrikanischen Nationalkongress, einer Organisation zur Vertretung der Rechte von Schwarzen. Frustiert musste er die Bevorzugung von Weißen bei Toiletten, Banken, Menschenschlangen oder Geschäften ertragen. Schilder, die mit „Whites only“ versehen waren, dominierten das Leben im Südafrika der Apartheid. Buthelezi kann sich erinnern, dass Weiße innerhalb der Geschäfte kaufen durften, während Schwarze ihren Einkauf vom Außenfenster aus abwickeln mussten. Der ANC bot ihm deshalb die Hoffnung, sich dieser Benachteiligung zu befreien. Buthelezi betrachtete den Kampf des ANC nicht als einer gegen die Weißen gerichtet, sondern vielmehr gegen ein „System des instrumentalisierten Rassismus“. Seine ANC-Mitgliedschaft verbindet er mit Eigenschaften wie Stolz und Ehre, betont Buthelezi. Der ANC ermöglichte ihm eine Beschäftigung in der Kommunal- und Länderverwaltung, wurde jedoch später durch die selbe Partei „schlecht behandelt“. Der ANC müsse noch lernen, die Fähigkeit einer führenden Partei anzunehmen, so die selbstkritische Ansicht des Parteimitglieds. Doch auf der heutigen Jahrhundertfeier besinnt sich der ANC in erster Linie auf glorreiche und vor allem auf die gefallenen Genossen. Dieser Tag widmet sich dem alten ANC-Kader wie Oliver Tambo, Walter Sisulu, Solomon Mahlangu, Bathandwa Ndondo und allen voran Nelson Mandela.

© ANC is remembering today freedom fighters like Oliver Tambo, Walter Sisulu, Solomon Mahlangu, Bathandwa Ndondo and above all Nelson Mandela.

Guest article in English:

I am a member of the African National Congress – and I am proud to be associated with this glorious revolutionary movement. I was 15 years old (1982), my late father advised that I go find the ANC as it was the only true representative of the aspirations of the people of South Africa. I had been frustrated by the „Whites only“ signs in toilets, bank queues and some shops – blacks had to buy from the window outside the shops. Schools for whites were much better than the schools I went to.

I joined the ANC with the hope of liberation. I had anger and hatred towards whites and the police. The ANC comrades that I met, way back in 1983, moved quickly to remove all racial and ethnic thoughts that lingered in my mind. By 1984 I had been exposed to the most advanced thinking about the world we live in. From the various reading materials that we brought to my house by the ANC cadres, I understood the primacy of democracy, that the struggle against apartheid was not a gripe against whites as a racial group. That ours was a principled struggle against a system of institutionalized racism. This became very clear in 1985 when Oliver Tambo commanded that the youth render the country ungovernable, thus making apartheid unworkable.

This is the ANC I joined, this is the ANC I am proud and honoured to be associated with. The ANC that taught me the principles of non-racialism and non-sexism. This is the ANC of Oliver Tambo, Walter Sisulu and Nelson Mandela. This is the ANC that produced Thabo Mbeki. The ANC of Solomon Mahlangu and Bathandwa Ndondo. The ANC that taught us never to betray the masses of our people, the thousands of ordinary people, the overwhelming majority of whom are working class Africans, who through their daily experiences, struggle and battle against adversities, together as comrades, in pursuance of the vision of a South Africa that would be a better place for all its people.

At university I got to understand the Strategies and Tactics of the ANC, the strategic content of which is the total emancipation of the black people in general, and the Africans in particular. I learned the skills of organizing communities around their basic needs. The ANC gave me the privilege of participating in the transformation of government, from municipalities to provincial administration. Two years ago, the very same ANC treated me badly (see my blog http://www.thesbu.com) – that notwithstanding, I have been long in this organization to know that it has the capacity for introspection, self-criticism and corrective action.

I know and understand that the ANC was not well prepared to adapt to being a ruling party with control over state machinery and resources potentially for patronage. This ANC is now grappling with challenges it never prepared for, the competition for elected positions and government posts, the reality of being an open organization, that draws within its ranks even the most unscrupulous in society. It is such deviant characters that have occupied the driving seat at all levels of the organization. But this organization has survived for 100 years. I have no doubt it will cleanse itself – drawing from its capacity to introspect, self-criticise and take corrective action.

I am a proud member of the ANC. The ANC has a proud history of struggle; my generation will live to reclaim the proud character of this organization.

As we reach the critical milestone of the ANC Centenary – we owe it to the fallen hero’s to bring integrity and sacrifice back to this glorious movement of the people of South African.