Schlagwort-Archive: women

Ubuntu in Germany Column

The Pistorius case has done a great deal of damage to the South African nation. A German press view

(Editor: Alex Smit-Stachowski is speaking in her column about life as a South African now living in Germany. The South African journalist lives in Krefeld, in North Rhine-Westphalia/ Germany).

Germans have given the Oscar Pistorius case top billing in newspapers, on websites and on TV – they, like South Africans take their sport idols very seriously and there’s a feeling of shocked dismay from the press here.

© Germans have given the Oscar Pistorius case top billing in media. The Pistorius case has done a great deal of damage to the South African nation. The tourism country has to restore respect, said Ubuntu columnist Alex Smit-Stachowski. (Quelle: flickr/ Global Sports Forum)

© Germans have given the Oscar Pistorius case top billing in media. The Pistorius case has done a great deal of damage to the South African nation. The tourism country has to restore respect, said Ubuntu columnist Alex Smit-Stachowski. (Quelle: flickr/ Global Sports Forum)

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Pieter-Dirk Uys – Comedian in interview

„Freedom of speech means we have the right to opinions“

(Editor/ Autor: Serge Aka)

Deutsche Interview-Zusammenfassung:

Als Frauen verkleidete Comedians, wie Hape Kerkeling in Deutschland, sind in fast allen westlich-orientierten Staaten vorzufinden; auch in Südafrika. Pieter-Dirk Uys ist am Kap dafür bekannt, dass er sich in die Rolle von impulsiven Damen begibt und mit Zynismus, Ironie und Provokation auf sein Gegenüber einwirkt. Insbesondere um seine Rolle als Evita Bezuidenhout/ Tannie Evita lieben ihn die Südafrikaner.  So stellte er einmal die These auf, dass Frauen zurück in die Küche müssten (siehe das unten abgebildete Video). Der in Kapstadt geborene Comedian kritisierte auf einer literarisch-künstlerischen Ebene das Apartheidregime und machte sich somit zum Gegner der weißen Minderheitsregierung.  Mit Mut und Ehrgeiz engagierte er sich als Evita immer wieder gegen die Apartheid, sodass er eines Tages sogar den  persönlichen Lob von Nelson Mandela erhielt. Mit Berlin verbindet Pieter-Dirk Uys viel Zuneigung, da ein Teil seiner Familie aus der Bundeshauptstadt stammt. Das Erlernen der deutschen Sprache, so verriet uns der Comedian während seines Berlin-Aufenthaltes exklusiv, wird angestrebt, um dessen Shows eines Tages auch in Deutsch anbieten zu können. Wir freuen uns, dass auch diese Person des öffentlichen Lebens den Fragen des Portals „SÜDAFRIKA – Land der Kontraste“ zur Verfügung stand.

© Pieter-Dirk Uys - South African comedian with German ties

© Pieter-Dirk Uys – South African comedian with German ties

2010sdafrika-editorial staff: We would like to welcome on „SÜDAFRIKA – Land der Kontraste“ the South African comedian Pieter-Dirk Uys. Mr. Uys, how did you get in comedy? Was it a dream of your childhood or the result of a challenge?

Answer: It was more a challenge to try and fight the fear of authorities and politics, apartheid. There were various ways to fight it and I just thought to fight it with humor might involve many people because a lot of politics was very stupid and needed to be pointed out.

2010sdafrika-editorial staff: You are known as a satirist, who has the gift of gab. You love to play female Characters. Your performance is inspired by desperate first ladies. How do you choose them and what message do you want to communicate?

Answer: Well there are so many interesting women in politics, Margaret Thatcher, Angela Merkel,…I mean there is a sort of really they offer themselves as theatrical characters. I think in this case it is very interesting to look at women in politics, their strength in a world of men, how they use their body language, make-up, hair to get away I think they are very successful in politics and it is very theatrical, I think the audience finds it funny and interesting to see a man suddenly become a female character.

2010sdafrika-editorial staff: With your character Evita Bezuidenhout you have criticized during Apartheid the racial segregation between white, black, colored and asiatic. How have the reactions of the government and the white public to your shows been?

Answer: You know the old days I was censored and there was a lot of police harassment to trouble which was expected. In the democracy we have freedom of speech, so within the framework of that I had a very successful career. There are some of the politicians that are uncomfortable with what I say, but that is ok I don´t mind, I don´t particularly want them to be a fan, I mean they give my material and in case they do like what I say they can resign.

Evita Bezuidenhout: „Women should be go back to the citchen“

2010sdafrika-editorial staff: Don´t you fear for your life?

Answer: No no no, you know I keep on saying if you fear for anything, you can´t tell the truth. If I don´t tell the truth I am going to be fearful because a lie is serious, the truth is serious enough, you don´t have actually to lie more to make it entertain.

2010sdafrika-editorial staff: In the past, you interviewed the most famous hero of South Africa, Nelson Mandela. He told to you following phrase: „You are one of my heroes“. Which feelings did you have at that time?

Answer: I mean first of all I am sitting in a character as Evita, and there is Nelson Mandela talking to Evita but saying to me you are one of my heroes, I think it was wonderful, it was such a great. The man´s humanity and its humor is extraordinary and I have been blessed with my friendship with him and it is something that changed my life.

2010sdafrika-editorial staff: About this friendship, can we say that it is something you have been expecting before?

Answer: Well, for most of his life he was in jail and he was away, but he used to see my videos in prison, there used to show videos on robben island and so, I used to get messages from Winnie Mandela, from Nelson through Winnie. So I was looking forward to meeting him when he came out.

2010sdafrika-editorial staff: Mr. Uys, you know the public figure Desmond Tutu too. He is still condemning the Israeli occupation of Palestine as „Apartheid“. What is your opinion in this matter?

Answer: Freedom of speech means we have the right to opinions and I think he was right to talk about that aspect, he was very verbal during Apartheid about cultural boycott. I personally was not very convinced about cultural boycott during apartheid, because the culture that was not sent to South Africa was in fact the culture that would have destroyed Apartheid. I was glad that he brought it up, so that the companies of which ninety per cent were young black people had to think about that. How do they feel about going into a place where Palestinians are not allowed to go? But Desmond Tutu always leads in its criticisms and his prayers; he is a very special human being.

2010sdafrika-editorial staff: What do you feel when you come to Berlin knowing that your mother is originating from this place? Do you have ties to Germany and German comedians or even a German part-identity?

Answer: I do not have ties to people here other than friends, but I feel very familiar here in Berlin. Having been here many times and doing show here makes me feel well, that is why I want to come and live here for a year and really learn the language, so that I can also perform in German language.

2010sdafrika-editorial staff: Which dreams would you still realize in your private and professional career?

Answer: One of my dreams is to establish my German language to the extent that I can also do a performance here. You know also the year use to have 365 days whereas my year has only two days, today and tomorrow. Today is the most important day and I do not want to look across tomorrow and ignore what today has to offer.

2010sdafrika-editorial staff: Does it mean you do not plan the future?

Answer: Of course I do plan years in advance but in pencil so that you can rub it out and write again. It is very important to plan but also very important to listen and to see how quickly things go. Look at Egypt, in a week has completely changed from one thing to another. It is very exciting.

2010sdafrika-editorial staff: So you live the present?

Answer: Of course.

2010sdafrika-editorial staff: Pieter-Dirk Uys, South African Comedian, thank you very much for this interview!

History Documentary from South Africa

The real face of Apartheid

(Editor: Annalisa Wellhäuser)

The largest film festival in Germany, the „Berlinale„, has been attended by „SÜDAFRIKA – Land der Kontraste“, the German Gateway to South Africa. With thanks to the Berlinale section Generation, we have observed selected events and made a report. „History Uncut: Manenberg“ and „History Uncut: Crossroads“ – a documentary collection –  are focussing on South Africa during the apartheid.

Afravision (Brian Tilley, Laurence Dworkin): History Uncut

Co-curated by Darryl Els and Claus Löser

Sunday, 2/13/2010, Cinema Arsenal at Potsdamer Platz in Berlin

Episode 1: Crossroads

Switch off the lights, the movie starts, open your eyes: as if I had used a time-machine for a journey back into the past ,out of a sudden I find myself in May/June 1986 of the former Apartheid-State of South Africa. Place of the setting: „Crossroads„, an informal settlement for „ black„ South Africans ,important centre for movements of resistance; actually it was given the status of an „emergency camp„ and therefore being immune to the mass clearance of townships by the state. Of course the government was not pleased about this immunity…..So here I am….in the middle of a brutal battle between-well, one does not even know who belongs to which group, it is a chaos…People ,especially boys who are only teenagers are running from one site to the other…they are chasing each other….shooting….screams…wherever I look I see destroyed and burning houses of corrugated iron sheet…It is this group with the strips of white cloth, they are attacking us…it is the „Witdoeks„, our vigilance committee. Why are they doing that? It`s our own people! Where did they get the weapons from? We have to fight back…self-made arms out of wood, stones, gunpowder in plastic bottles, which are being thrown…on the street: two men on the floor…covered by blood all over… they are dead…. I see women sitting on the street corner with their babies and the things which they still managed to rescue from their homes…they are waiting for help….

© Scene from „Histroy Uncut: Manenberg“ (Source: Berlinale)

© Logo of film festival „Berlinale“ (Source: Wikimedia)

Cut- change of scene

Women standing with their babies at the entrance of the parliament of Cape Town. They are hopeless and are looking for help. „ We don`t know what you are talking about, we cannot do anything for you„, they get told in Afrikaans by a politician. As a symbol of protest the women start to feign crying and lay down their crying babies in front of the parliament.

According to the TRC, the Truth Reconciliation Commission of South Africa, South African police contributed weapons to and supported groups of „black„ South Africans like the ,,Witdoeks„, a vigilance committee in Crossroads, and thereby „used „ them in order to suppress movements of resistance during the time of Apartheid. Thus the government seeked their aim without being blamed for anything. In total 60.000 people became homeless and 60 people died.

Episode 2: Manenberg

It is September 1989, the election day of the tricameral parliament of South Africa. „white„ and limitedly „coloured„ and „indian´` South Africans are allowed to vote.

The „black„ population is excluded from the right to vote. In „Manenberg„ , a township for „coloured„ South Africans there are protests taking place. And me- I see, no, I experience closely what happens on that day in the streets of Manenberg: I am in a house and I am looking out of a window. The police pitches up out of nowhere and starts shooting randomly with rubber munition at the residents of the place. Yes, it even seems like they do so because they enjoy seeing other people suffering. The police men throw stones at the people, use tear gas and chase them into their houses with whips. The inhabitants ,especially young people, react by throwing stones as well and by building street barriers out of car wheels, litter, pieces of furniture and stones to which they set fire. It is a seesaw. The police arrives frequently and it results in a conflict: Shooting, screams….I`m afraid that they will discover me, but I`m lucky-they don`t.

Cut- Change of scene:

A boy is lieing half covered in a bed, his entire body is full bullet wounds caused by the rubber munition of the police. Another boy`s head is bandaged up and his nose is covered by plasters…A women expresses a direct appeal to the South African government, she claims a democratic, NON- racial discriminatorial electoral system.

These scenes were never shown on South African television; they are part of the archive`s material of the video collective Afravision, which contains the biggest documentation of video of the history of resistance. Afravision was founded by Brian Tilley, Laurence Dworkin und Mokoenyana Moletse in order to keep records of the numerous battles in South Africa in the 1980s .

An extraordinary and fascinating contribution to the Berlinale of 2010. Uncut and pure- this film shows simply the reality and truth-the tragic reality of the past South Africa. Such a close experience of history; it feels as if having been present at that time. It is unbelievable, because suddenly it is not a „story„ anymore that one happened to read in a „history book„ and that seems unreal and far away from oneself. Out of a sudden it is my own reality too. I`m part of it. After watching the film, I`m only left with one single thought dominating my mind: While I can return into my secure reality of the present Germany, this „ film„ did continue for the people in South Africa at that time. Those people, who I met just now, could not flee in contrary to me who just switches off the movie. For them it was a nightmare and they did not know if it would ever end. This is horrible.

The 2010sdafrika-editorial staff would like to thank to the team of Berlinale section Panorama for supporting our service.